cover: Rich Buckler/Klaus Janson
ASTONISHING TALES #25
Aug 1974
$0.25
Marvel Comics (Marvel Comics)

"A Cold Knight's Frenzy" (15 pages)
writers:
pencils:
inks:
colors:
letters:
edits:
Rich Buckler/Doug Moench
Rich Buckler
Rich Buckler
G. Wein
A. Kaecki
Roy Thomas

Untitled (2 pages)
writers:
pencils:
inks:
D.M. DeMatteis
George Perez
Mike Esposito

Reprinted in FRANKENSTEIN #9 (France) (1978), BIBLIOTECA MARVEL: DEATHLOK #1 (Spain) (Jan 2003) and MUNDO DE AVENTURAS #121 (Brazil) (22 Jan 1976)

George Perez's first published work for a major comic book company.

Related
  • DEATHLOK
  •  December 7, 2003 | Wizard World Texas Program Book
    From Vu, special thanks to Mark Metz

    WIZARD WORLD TEXAS CONVENTION PROGRAM 2003 (Nov 2003) ASTONISHING TALES #25 (Aug 1974) FANTASTIC FOUR #164 (Nov 1975)
    THE DEADLY HANDS OF KUNG FU #6 (Nov 1974) JUSTICE LEAGUE OF AMERICA #184 (Nov 1980) NEW TEEN TITANS #1 (Nov 1980)
    CRISIS ON INFINITE EARTHS #1 (of 12) (Apr 1985) INCREDIBLE HULK: FUTURE IMPERFECT #1 (of 2) (1992) AVENGERS vol 3, #1 (Feb 1998)
    There is a two-page article and checklist on Wizard World's Texas Convention Program Book (2003).

    >>>
    GUEST OF HONOR 2003: GEORGE PEREZ
    published in WIZARD WORLD TEXAS CONVENTION PROGRAM 2003 (CA)
    transcribed by Vu

    If any comic artist working today deserves the title of "living legend," that artist is George Pérez. How man citizens in the kingdom of comic creators have worked steadily over the last 30 years, growing more popular with each passing?

    THE 1970s After an understated debut on Marvel Comics's Astonishing Tales #25 way back in 1973 - the first appearance of Deathlok, by the way - Pérez found he could write his own ticket, quickly jumping on titles like Avengers, Fantastic Four, Deadly Hands of Kung-Fu and Justice League of America.

    THE 1980S The defining decade of Pérez's career, not only did the '80s see the debut of the hugely popular New Teen Titans - co-created with writer Marv Wolfman - and enduring villains like Deathstroke the Terminator and Brother Blood, it saw Pérez take on half the task of rewriting the reality of the DC Comics universe, Crisis on Infinite Earths simplified the chaos of DC continuity, killing off Supergirl and the Flash and making way for their modern successors. From Crisis, Pérez went straight to reworking the story of Wonder Woman, lending his writing skill as well as his art to the new, more mythology-centered character if there was one dark spot on the Pérez decade, it was the lost dream of the JLA/Avengers crossover…

    THE 1990s A vision of the last days of the green goliath in Hulk: Future Imperfect with writer Peter David could stand alone as an artist's project of the decade. But Pérez, with sleek, bright art and an overwhelming need to draw every Avengers that has ever been, went on to relaunch the Avengers with Kurt (Marvels) Busiek as the '90s neared their close. More than 20 years after his start, Pérez transitioned easily into the new millennium and found a whole new generation of comic fans waiting for him.

    TODAY As he near the half-century mark, George Pérez shows no signs of going gracefully into that good night (or whatever old comic artists go). With new, fantasty-themed art for such CrossGen books as CrossGen Chronicles and Solus, he's breaking new territory - even for him. And with the blockbuster success of JLA/Avengers, he's finally realized a dream nearly 20 years in the making.

    ESSENTIAL PEREZ READING

    (excerpt)

    In nearly 30 years in comics - THIRTY!- George Pérez has probably drawn every character you've ever heard of and a lot you haven't. And written a few too. While it's impossible to show 'em all, here are some of the highlights you might want to pick up from dealers at the show. Thanks to GeorgePerez.com for the checklist; you can find a complete list of George's work there.

     February 1, 2003 | Heritage Auction (Feb 03)
    From Vu
    Heritage Comics is having their auction this weekend. Among some of the Pérez-related auction are his first published professional comic book art in ASTONISHING TALES #25 (Aug 74). The other interesting item is the 30 cent variant to INHUMANS #4:

  • INHUMANS #4 (variant)
  • The Inhumans #4 35 Cent Price Variant (Marvel, 1976) CGC NM 9.4 White pages.
    While the vast majority of the copies of this issue sport a 25 cent cover price, this is one of the scarce variants that was used to test whether the public was ready to accept a 5 cent price increase. These 30 cent editions were only distributed in a few cities and high-grade copies are exceptionally difficult to locate. Try to find another! Overstreet values on these issues are extremely conservative compared to what these copies actually sell for. George Perez art.